Kevin Rhodes may be known in Massachusetts as the maestro of the Springfield Symphony Orchestra and Pro Arte Chamber Orchestra in Boston, but his baton reaches far beyond the state’s borders. Rhodes also conducts the Traverse Symphony Orchestra in Michigan and regularly flies across the pond where he’s well known for his conducting in Norway, Paris, and beyond.

Rhodes has conducted in the major musical capitals of Europe for over two decades, leading major productions at the Paris Opera, Vienna State Opera, Berlin State Opera, Milan’s Teatro alla Scala, Dutch National Ballet, Verona Ballet, and Stuttgart Ballet. Last season, he made his Norwegian National Ballet debut conducting Don Quixote, after conducting an all-Balanchine program, an homage to the late New York City Ballet dancer Violette Verdy at The Paris Opera, and Nureyev’s production of Raymonda in Vienna. Rhodes added a Romeo and Juliet in Stuttgart to the mix, alongside his annual appearance as conductor for the Rudolf Nureyev Gala at Vienna State Opera Ballet. The upcoming season is equally frenetic with a return to Raymonda and a mixed-bill in Vienna and Swan Lake in Stuttgart, as well as plans to conduct the Nureyev Gala on what would have been the late dancer’s 80th birthday.

All that world travel aside, New England remains culturally exciting to Rhodes. “The close proximity of so many instrumental artists, which allow us to have this wonderful orchestra in Springfield of a quality completely out of proportion to our region’s population size, is a gift from which we all benefit,” he says. “While it’s part of the cultural life per se, the incredible beauty of New England certainly adds dramatically to the joy of creating art here.”

KevinRhodes after Stuttgart performance of Romeo and Juliet. Photo courtesy of Kevin Rhodes.

For the Indiana-born conductor, who began his professional conducting career at the age of 16 in his hometown, the road to New England took a transatlantic detour. After receiving his bachelor of music in piano performance from Michigan State University, he subsequently earned his master of music in orchestra conducting from the University of Illinois. He moved to Switzerland to become a house conductor at Basel’s Stadttheater, before moving to the larger Deutsche Oper am Rhein in Dusseldorf, where he led hundreds of performances of the operatic repertoire, from Die Zauberflöte to Der Rosenkavalier, while simultaneously serving as the principal ballet conductor at the Vienna State Opera. During his time in Europe, Rhodes led repertoire ranging from the operas of Strauss, Verdi, Puccini, Massenet, Mozart, and Smetana to the major ballets of Prokofiev, Stravinsky, and Tchaikovsky.

It’s not all classical music for Rhodes. In 2015, he conducted the Springfield Symphony Orchestra at the nationally-televised season opener of the New England Patriots at Gillette Stadium with rapper T-Pain. He’ll take on the Star Wars and Star Trek Sci-Fi Spectacular for a Springfield Symphony Pops.

Photo by John RobertWilliams

Rhodes is excited about his performances in Springfield this year. “Our season grand finale with legendary pianist Misha Dichter in an all-Rachmaninoff program is, for sure, among those I can’t wait to perform, as well as combining our choruses with the University of Massachusetts choruses for the Verdi Requiem. There’s a super cool concerto for trombone and orchestra by Japanese composer Yoshimatsu, played by our own principal trombone Brian Diehl;  a new cello concerto by American composer Lowell Liebermann played by star cellist Julian Schwartz, and well, every concert has something I’m really looking forward to, as it turns out.”

Kevin Rhodes–conductor, Springfield Symphony Orchestra
Westfield, Massachusetts
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Top image: Kevin Rhodes. Photo by Anne Deniau

The post Kevin Rhodes: International Maestro of Mystery appeared first on Take Magazine.

The New Britain Museum of American Art, located in a verdant pocket of the postindustrial central Connecticut city that bears its name, welcomed Min Jung Kim recently as only the sixth director in the museum’s 112-year history. “It never would have occurred to me that I would become director of this country’s oldest American art museum,” says Kim, who moved to America from Seoul when she was 18 and became a citizen 10 years ago.

She began her art education in America at Wheaton College in Norton, Massachusetts. In 1996 she joined the Solomon R. Guggenheim Foundation in New York City, where she worked on international projects such as establishing partnerships with the State Hermitage Museum in St. Petersburg, Russia, and the Kunsthistorisches Museum in Vienna, Austria. She also helped expand the Guggenheim’s presence in Asia. Kim returns to New England after launching the Eli and Edythe Broad Art Museum at Michigan State University.

Kim’s international background is, in fact, the perfect springboard for a conversation on what American art means and where it can go in a morphing, cosmopolitan nation of cultures and traditions that bleed together more than ever. Kim wants the museum to be a part of that conversation. “For me, the way I see it today, American art is less of a rigid geographical or ethnic classification,” Kim says.

The NBMAA spans three centuries of art, including the Hudson River school, American impressionism, and colonial-era portraits. It also boasts a notable collection of contemporary American art, including that of New England artists. The museum sits in the city’s west end abutting Walnut Hill Park, which was designed by nineteenth-century landscape architect Frederick Law Olmsted, who also designed Central Park.

Kim is coming on board at an exciting time for the NBMAA. This fall, a new three-floor, 17,000-square-foot wing opened with space for three art studios and nine additional galleries that include western art, early modernist works, realist works, and works donated by a number of lesser-known artists. The expansion helps position the museum as an anchor in a city aiming to be on the economic upswing.

“Art and culture is a biological need. All the more [reason] a museum such as the NBMAA [should] be considered an indispensable necessity for the community,” Kim says.

This piece originally appeared in the December 2015-January 2016 issue of Take magazine, available here.

Ming Jung Kim–director, New Britain Museum of American Art
New Britain, Connecticut
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Top image Min Jung Kim, photo by CHRISTOPHER MASSA

The post American Art Reconsidered appeared first on Take Magazine.