Visit the Rhode Island seashore, stumble on some Japanese knotweed, and you’ll probably label it as a nuisance. May Babcock sees the invasive species as a source of inspiration. “I have been looking at plant ecologies, and there are a lot of such invasive plants along the shoreline, and I see the fibers,” Babcock says. Fibers for making paper, that is. Babcock, an interdisciplinary artist whose main focus is paper, uses such plants and creates fibers as raw materials. “I have been using what’s available, so it makes sense to use these plants that nobody wants,” she says of the knotweed.

For her work, Shoreline Studies, Babcock, an artist who lives in Pawtucket, Rhode Island, visited the Ocean State’s coastline and made a few preliminary sketches to capture the landscape. The entire series is made of different kinds of paper pulp, including the one derived from the knotweed. Papermaking artists often work with different kinds of colored pulp, and that was the effect Babcock was going for. “There’s no ink involved,” she says. “It’s all a monotype look.”

Lisa Laughy photo

Babcock has a multi-dimensional approach to her art. She uses a variety of printmaking, hand papermaking, sculpture, and book arts techniques to bring a “printerly” outlook to her art. Instead of the printer’s matrix and ink, Babcock uses various kinds of pulp to fill in for ink and create striking visual effects.

Babcock, a Connecticut native, maintains a blog called Paperslurry that focuses on paper arts. She is heavily invested in spreading the word about paper art, recently teaming up with Providence-based Southside Community Land Trust and her local community garden to teach papermaking from plants. Families with children showed up, she says, to learn about the different weeds in the garden that can be used to make paper. “We cut them down and cooked them up. It was a lot of fun hand-beating fibers in the garden,” Babcock says. The class used mugwort and a variety of different weeds, even mint, as part of their experiments.

Little Harbor Beach, Study 4

Babcock made the move to focus solely on her art career after initially working in graphic design and marketing. Rhode Island has informed Babcock’s workshops as well as her art, which, she says, has developed more of an environmental focus. “It’s really taken me a good four or five years to really realize which direction my artwork was going,” she says.

May Babcock–paper artist
Pawtucket, Rhode Island
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Photos courtesy of May Babcock

The post Pulp Fiction appeared first on Take Magazine.

It’s been almost a year since photographer and Elska Magazine publisher Liam Campbell and his partner left their home in England for Pawtucket, Rhode Island. Campbell had lived in Chicago and Dallas prior to living in England, but never felt at home in the U.S., a feeling that didn’t improve after he and his partner were married in England.

A few Obama-era policy changes and one visit to Providence shifted Campbell’s trajectory. “When we visited Providence for the first time, I just thought, ‘wow,’” says Campbell. “I didn’t know this kind of culture existed in the USA [outside of New York and LA]. New England is really something different and somewhere we felt like we could be at home.” Campbell’s admiration for Providence only grew as he aimed his camera on it as the first U.S. city to be profiled in Elska Magazine.

Through Campbell’s photo lens, the “bookazine” Elska, whose name comes from an Icelandic verb meaning “love,” stylishly examines men and the city those men call home. While you might feel a bit lusty while perusing an issue in print or online, Elska is more than simply expertly shot and arranged photos of wildly handsome men-of-all-kinds. “Even though some of the images can be considered sexy,” says Campbell, “it’s really through the expression of their personalities via the naturalistic images and their stories that makes them compelling and attractive, and makes us love them.”

In addition to photo spreads of 14 local Providence boys, the latest issue includes revealing and intriguing text by the boys themselves: “Dee W’s tale of finally maybe feeling at home in Providence; Samuel K-M’s story of a Providence bridge’s cursing of past relationships; Norbert G’s recount of a recent threesome; Matthew L’s narrative on a typical night at a local gay bar; and Adam C’s ‘things he said/things I said/things I should have said’ report that will leave you shouting ‘fuck yeah!’”

Beyond the profiles and personal approach to text curation, Elska expands past normative ideas about gender, depicting all kinds of people who identify as male in a way that doesn’t feel self-serving or overtly political. “The only stipulation is that [the subject] is a man, and he lives in the city we’re featuring,” says Campbell. “We’ve had trans men, we’ve had queer men, we’ve had men who probably don’t know what they are. As long as you’re comfortable being in this magazine knowing that 90 percent of the readers are queer, then you’re welcome to be in it.”

The next issue of Elska Magazine will feature boys and stories from Brussels, although Campbell believes his photographic eye might return to New England soon. “I try to make each one different from the one before. It’d be nice to do a smaller book or a collection of books of towns of New England,” he says. “Since I’ve lived here, I’ve really grown to love the whole region. I want to get involved and explore more and do my part.”

Liam Campbell–publisher
Elska Magazine
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All photos by Liam Campbell

The post Meet Rhode Island’s Newest City Boy appeared first on Take Magazine.