Clowning is more than just wearing your heart on your sleeve. It is guts out, actual balls to the wall, raw vulnerability right there in your lap. Clowning is serious stuff, and it’s always messy. Providence artist Ricky Katowicz never self-identified as a clown, but this is the closest I can get to describing his practice. Puppeteers and noise musicians are a dime a dozen in Providence, RI but Katowicz’s performances push past the typical into a very real space of vulnerability. Katowicz’s projects, especially The Ricky Rainbow Beard Show, are something to be celebrated. The Show combines the formats of late night talk show and Saturday morning kids programming. “The idea for Ricky Rainbow Beard as a host came about in 2015 when I realized I needed to host a kids show because I’ve thought of this for too long and now I just need to do it,” says Katowicz “The show was conceived over the last four years but it only existed in my sketchbooks.”

While at an emotionally abusive weekend clown camp I learned that every person has an “inner clown” — you just had to turn yourself inside out to find it. Clowning is more than just wearing your heart on your sleeve. It’s guts out, actual balls to the wall, raw vulnerability right there in your lap. Clowning is serious stuff, and it’s always messy.

Providence artist Ricky Katowicz never self-identified as a clown, but this is the closest I can get to describing his practice. Puppeteers and noise musicians are a dime a dozen in Providence, but Katowicz’s performances push past the typical into a very real space of vulnerability. Katowicz’s projects, especially The Ricky Rainbow Beard Show are something to be celebrated. The show combines the formats of late night talk show and Saturday morning kids programming.

Video Still from Dance Sunday.

“The idea for Ricky Rainbow Beard as a host came about in 2015 when I realized I needed to host a kids’ show because I’ve thought of this for too long and now I just need to do it,” says Katowicz. “The show was conceived over the last four years, but it only existed in my sketchbooks.”

Making its first appearance at PVD Fest in 2016, The Ricky Rainbow Beard Show is advertised for children, but like other kids’ programs made by Gen-Xers (think Yo Gabba Gabba) Katowicz’s combination of gender bending cartoons and punny puppets often leaves grown-ass audience members wonderstruck. This is largely due to the host, Ricky Rainbow Beard, whose affect is not akin to the wide-eyed, maniacal, goon that talks slow and loud at the children of TV land. Rather, Rainbow Beard is deadpan but warm and seemingly a little shy when engaging his audience.

“I wanted to be a bearded host that could change the color of his beard on a whim because it contained all of the colors of the rainbow,” he says of his character. “The plan was always to have a magical segment on the show where I twisted my ear to cycle through all of the colors like a slot machine and land on something different each time.” 

The genius of the show is that every part, the interviews with special guests, the introductions of cartoons, the strange interruptions from live-action characters—all of it—is inquiry-based. Rainbow Beard and crew never tell audience members how to feel. When asked about his promotion of curiosity Katowicz jokes, “When curiosity is based in personal desire, it can result in real learning, and other times curiosity leads you down a gutter with a murderous clown.”

Katowicz’s projects, like The Ricky Rainbow Beard Show or Domestique, a playful noise project where Katowicz uses “domestic appliances to create layers of sound,” are more than mere performances. They are Katowicz revealing a part of himself, flashing that “inner clown,” and Ricky’s clown, well, it’s a weird dude, and that’s okay. This is Ricky’s gift, along with his wonderfully crafted puppets, costumes, and cartoons; notable collaborations; his comedic timing and the pedagogical offerings of his special guests which are all equal parts inclusive and disarming.

Ricky Katowicz, Video Still from DOMESTIQUE resized

Smart and magical, Katowicz’s work invites viewers to step into silly worlds of inquiry and vulnerability. Ricky’s world is kids’ stuff; it’s open-hearted and unafraid. Ricky Katowicz is doing the imperative work of the artist in the current, ever-darkening political climate. He gives all of us permission to be truly ourselves and in doing so, he is giving us back our power.

Ricky Katowicz–artist/clown
Providence, Rhode Island
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Top image: Ricky Katowicz on set. Photo by J.R. Uretsky.

The post Clowning Around in Providence appeared first on Take Magazine.

In November 2014, Vatic Kuumba was part of a group of protesters who spilled onto the highway I-95 in Providence, Rhode Island. Kuumba, a rap and poetry slam artist, was taking a stand against the Michael Brown Ferguson court decision and was subsequently arrested along with four others. An African American growing up in Florida, Kuumba has always been keenly aware of prejudice, and had moved to Providence four years ago to lessen its sting. That singular incident on the highway galvanized the activist, and he has since worked closely with the community in many ways to highlight issues regarding race and culture.

Along with a few other artists, Kuumba will again bring his work to the stage. He is scheduled to be part of PVDFest, Providence’s signature art festival to be held June 1-4. The third edition of PVDFest is expected to bring artists from around the world in an open block party style of dance, music, and other artistic performances.

At poetry slams and other events in Providence, Kuumba shakes the audience out of their comfort zone by challenging their assumptions about race. Race, he argues, is a social construct, and he encapsulates his views through poems that challenge people’s world views. Kuumba doesn’t worry too much that the audience for his performances comprise people who might already be responsive to his message. “I don’t necessarily take a lot of my time to try to change a person who has a hateful heart,” he says. “However, if they come to one of my performances and they can sit through it, I think it is so thought-provoking that you can’t just get up out of it and then go about your day. You have to think about it.”

Kuumba wants people to challenge ideas about race, and is willing to meet his audiences halfway. At area schools and community centers, Kuumba has hosted Ice Cream Social Justice parties where free-flowing conversation starts with a nudge from the artist and is further fueled by ice cream. At one such event, Kuumba asked the audience to list the slurs they knew, and he threw all the words together in a giant word search to get members to ask and discuss uncomfortable questions.

For PVDFest, Kuumba will collaborate with a few other artists to deliver pieces for a theater festival called Renaissance. Resistance. Rendezvous. One of these, Me and the Multiverse, tells the story of Kuumba’s move to Providence, the adopted home he so loves. Another piece, If I Die, I’m a Legend, will incorporate the Black Lives Matter principles into the story, with dance and visual art complementing the performance.

Vatic Kuumba, If I Die I am a Legend, photo courtesy Vatic Kuumba

Kuumba is grateful to be a part of the city’s vibrant art scene. “Being in Providence and being around this activist community, has been really helpful for me,” he says, “it has been rewarding to really see myself through different people’s eyes.”

Vatic Kuumba–Poet
Providence, Rhode Island
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Top image Heurisko, photo courtesy of Vatic Kuumba

The post Taking on Race in Providence appeared first on Take Magazine.