One plus one is two, except when it’s 45’s Federal budget proposal to eliminate the NEA and the NEH—for starters.
Maine’s isolated Tides Institute and Museum of Art encourages artistic collaborations between artists and between countries.
It’s not exactly ugly, yet it kind of is. Sarah Mikolowsky is reassembling the taboo and turning it into something wearable.
Turners Falls artist Fafnir Adamites on trauma, ephemeral materials, and creating a placeholder for invisible things.
After a year of careful curation and programming, Abigail Ogilvy has South End’s newest artists ready for the market.
Suara Welitoff brings her gauzy observations to an exhibit that mixes artistic mediums in order to transport guests through time and space.
Western Massachusetts ceramist, designer, and artist Molly Hatch breaks molds and boundaries.
Possible, but we couldn’t be further from the symbolism that Tennessee Williams showed us, there’s nothing fragile or old-fashioned here.
Anna Haber’s inspiring story involves abandoned mental hospitals, the alphabet, and an enormous bouquet.
